Classical Music: Mozart: Piano Concertos Vol. 8

Who cannot smile when listening to any of Mozart’s three overtures or the splendid last piano concerto on this, Volume 8 of Jean-Efflam Bavouzet’s survey of Mozart’s piano concertos?

The last seven volumes set the bar high, and this is no exception, with superb crisp and sparkling playing from all musicians and, of course, delicate accompaniments as The Manchester Camerata responds to Gábor Takács-Nagy’s direction. Both the conductor and pianist bring wonderful insights to their interpretations. Each section of the orchestra contributes playing that adds a fresh dimension with iridescent colour and panache.

Concerto No. 26 is so named as it was played at the coronation of Leopold II as Holy Emperor in Frankfurt on October 15, 1790, although it was completed in 1788. Bavouzet has created his own version of the score for this recording, as Mozart did not prepare the score for publication, and large sections of the left hand were left blank. I haven’t heard this concerto for some time, and after reacquainting myself with its melodic movements, I found the performance captivating.

Interestingly, Michael O'Loghlin points out in his notes that Mozart emancipated the wind section, making its role far greater than merely adding colour to the strings. Here he reverts to the style of orchestration that he had used in the first three Viennese concertos from 1782, which could be performed with or without the winds. However, the wind section does add a lovely aspect. The subtle dynamics are wonderfully interpreted, and the tuttis are joyful. The rhythmic and syncopated last movement is sheer delight, and the musicians’ dance together with beautiful phrasing

From the opening of Mozart’s last piano concerto, No. 27, the quality of the playing shines as the pianist and orchestra communicate with precision. The recording engineers in Manchester’s Stoller Hall ensure the subtleties are captured.

Bavouzet plays a Yamaha CFX nine-foot Concert Grand Piano.

The genius of Mozart is reflected in the exuberance and brilliance of all those responsible for a masterful recording.