A blue plaque has been unveiled at Liverpool ONE to mark the spot where piano star Brad Kella first performed at the centre more than 10 years ago.
Few artists capture vulnerability with the grace and honesty of Bongeziwe Mabandla. Across his acclaimed catalogue, the South African singer-songwriter has built a reputation for crafting intimate songs that blend folk, electronic textures and Xhosa storytelling into something deeply personal yet universally resonant.
Following the success of his 2026 Academy for Young Conductors, Vasily Petrenko reflects on what it takes to shape the next generation of conductors – and what he wishes he’d been taught in his early years This week, as I wrapped up the Academy for Young Conductors in the Armenian capital of Yerevan for another year, I was struck by a recurring thought: I wish something…
They were one of the biggest bands in the late eighties and early nineties, culminating in 1994 when Wet Wet Wet spent fifteen consecutive weeks at Number One with their version of Love Is All Around. The group are still recording and touring, though original frontman Marti Pellow is now a solo artist besides having an acclaimed acting career.
The CBSO has announced that global law firm DLA Piper’s Birmingham office has renewed its partnership with the orchestra for a fourth consecutive year.
Having earned a reputation as one of Australia's most electrifying new acts, Headwreck already have their sights set on world domination.
They were two of the biggest pop acts of the early eighties; ABC and The Human League went from the nightclubs of Sheffield to conquer the world with their hit singles and albums. ABC delivered one of the most iconic albums of that period in the shape of The Lexicon of Love.
Pickering Church, with its striking mediaeval architecture and clear, focused acoustic, provided an ideal setting for the opening Saturday of the Ryedale Festival. Staging Franz Schubert’s deathless Winterreise in the midst of a heatwave created an unintended antipathetic fallacy that worked remarkably well.
With the release of their moving duet version of Real Man, MORGXN and JB Somers have transformed a deeply personal song into a powerful conversation about masculinity, vulnerability, faith, and identity. Originally written from Somers' experience growing up as a pastor's kid in Alabama, the track takes on new resonance with MORGXN's soaring vocals and shared perspective.
While there is no denying that there is amazing kudos in having a Primark range already raising their profile, the lack of single success means December 10 has notches both for and against their enduring success. However, their debut EP speaks volumes about what should be their destiny. Slick production, a strong balance of bops and ballads and, most importantly, striking vocals and an awareness of how to play to each band member's strengths – this is a solid introduction to a group that wishes to be taken credibly as the next big boy band.
Welser-Möst and his orchestra match her at every step, the scoring tracking each swerve of feeling with unusual sensitivity: a trilling xylophone stands in for the ringing telephone with real wit, and the string textures underneath give the whole thing an unexpected warmth even at its bleakest.
All of which is background; what matters here is the music, and it is a delight. Her own chapel choir of Selwyn College sings with a polish that belies the demands of undergraduate life, recorded in the radiant, spacious acoustic of Ely Cathedral, where MacDonald is also the director of the girl choristers. The ensemble's diction, intonation, and balance are all delectably precise, and the phrasing, dynamic shading, and rhythmic vitality throughout the performance are genuinely impressive.
With the country in World Cup fever, it was only natural that when The Lightning Seeds performed their football-themed track Three Lions when opening up for Deacon Blue at the Piece Hall in Halifax, the response would be jubilant, as the iconic football anthem proved the perfect soundtrack ahead of the finale of the football competition.
Am I the only person in the known universe to have never seen The Sound of Music? Well, I must be. Or more accurately, I 'was,' for now I have lost my innocence. I have been Rodger and Hammersteined, so to speak.
When Orchestral Manoeuvres in the Dark played a gig in Bradford back at the old Caesar’s nightclub in 1983, the support act was a newcomer on the pop scene – Howard Jones. Forty-three years later OMD are back in Bradford, this time with another new act, Andrew Cushin, who is destined to play the bigger stages.
American-Armenian art-rap collective Samuum continue to push boundaries with their striking new single, Coffee Cup Reading (Yaman, Pt.2), a genre-blurring release that fuses Middle Eastern influences with rap, punk and rave energy.
How do you prepare yourself for seeing sunn O))) live other than making sure you have the best earplugs imaginable? Walking up to the venue, I'd never seen so many people on the way to a gig carrying ear defenders, and once inside, the person in front of me put earplugs in, then a set of ear defenders over the top.
Yorkshire band Embrace, currently celebrating their thirtieth anniversary, release their new album, Avalanche, with a set of ten tracks that do not disappoint.
The singing itself is the chief pleasure here. Just fifteen sopranos and altos produce a remarkably well-blended sound under Searles' direction, the tone consistently lovely and the diction unusually clean for a choir working in such a resonant space. Phrasing throughout is intelligent and unforced.
I defy anyone not to start moving their legs in Charleston fashion with this seductive celebration of 1920s glamour. Nostalgia and a hearkening back to an age of nightclubs, novelty and no small amount of nerve.
There is a moment, early in the opening track, Sax-O-Trix, when you realise Chad Smith is not so much playing the saxophone as interrogating it. The virtuosity is immediate and slightly alarming — watch him perform, and you may find yourself short of breath on his behalf.
Reuniting with Stuart Price proves to be the masterstroke. Their chemistry remains extraordinary, creating a seamless collection of club music that feels both classic and contemporary. House, disco, electro and synth-pop flow effortlessly into one another, with every transition designed to keep the energy moving. It's a record built to be experienced as a whole rather than dissected into individual streaming moments—a rarity in modern pop.
Few debut artists arrive with as much goodwill as Sienna Spiro. Ever since her powerhouse covers began circulating online, comparisons to Adele and Amy Winehouse have followed her at every turn. While those labels always felt premature, they were understandable: Spiro possesses one of the most naturally commanding voices to emerge from British pop in years. The Visitor confirms that beyond any doubt. What it doesn't quite confirm is whether she has the songs to match.
Applications have opened for the 2027 Leeds International Piano Competition, and with them came the most sweeping set of reforms in the event's 64-year history. Sir Stephen Hough, one of the most admired pianists of his generation, has been appointed Artistic Director and Chair of the Jury — and he has used the role to tear up the rulebook.
Your new single Curious is about modern dating. Is the song written from personal experience? Yes, absolutely. However, it would be incorrect to say the song is written about one particular person but more a series of experiences. We've all experienced relationships, romantic or otherwise, that feel very one-sided.
With his upcoming single Space Invaders, Velazquez looks poised to make the leap from rising talent to mainstream contender. Blending infectious hooks, bold creativity and a sound that feels both contemporary and distinctive, he has been steadily building momentum and attracting attention beyond his core fanbase.
When Bruce Springsteen played a three-hour set at Liverpool FC last year, he set the bar high for others to follow. The American rock band Foo Fighters picked up the gauntlet admirably on the second night at Anfield on what was their only British date on a short European tour where the band were at their bulldozing best.
Amateur musicians of all ages will get the chance to rehearse and perform with award-winning saxophonist and CBSO Collaborative Artist Jess Gillam as part of ‘CBSO in the City’ which will bring free performances to iconic spaces across Birmingham this summer (27-31 August) for the third year.
British-Iranian singer, songwriter and producer TĀLĀ returns with her powerful new single, 11-11 (We Are), available everywhere now. The track is the latest preview of her forthcoming album 11, due on 11th July, and follows acclaimed releases Ghosts and I Need It, which earned support from COLORS, Headliner Magazine and Wordplay.
Few artists capture the complexities of human emotion quite like Scott Quinn. The British singer, songwriter and multi-instrumentalist returns with his poignant new single, Places in London, a heartfelt reflection on the hidden losses that linger after heartbreak.
Across an extensive catalogue, Andrews has explored themes of longing, vulnerability, faith, grief, and human connection through songs that often feel more like carefully crafted narratives than conventional indie compositions.
Their latest release, Fragile World, continues that tradition while presenting a collection that feels remarkably immediate, intimate, and unguarded.